朱朱：他在绘画中构建的那个自我，显得感伤，颓靡，茫然若失，尽管在不少的画卷中他都引入了怪诞、俗艳的当代日常生活意象以及带有狂欢色彩的超现实情境，却难以消解一种仿佛出自骨子里的忧郁感；他用以自喻的那个漂浮于水面的裸体男人形象，折射着一个为秋光和落英而低回的南唐词人，一个为“梦里不知身是客”而悔疚的还乡者，而他所采用的双面晕染的特殊技法，也使得画面的色调来得沉郁与漫漶，映衬出空幻的追忆氛围。ZhuZhu:Theselfheconstructedinhispaintingsissentimental,decadentandvacant.Althoughhehasintroducedgrotesqueandgaudyimagesofcontemporarydailylifeandsurrealsituationswithcarnivalcolorsinmanypicturescrolls,itisdifficulttodispelafeelingofmelancholythatseemstocomefrominsidehisbones.The"nakedmanfloatingonthesurfaceofthewater"imagethatheusesasself-metaphorreflectsapoetfromtheSouthernTangDynastywhomoansovertheshiftingautumnlightandfallenflowers.Aruefulhome-comerwho"doesn'tknowwhereheiswhenhewakesupinthemiddleofthenight".Hisspecialtechniqueofdoublevignettealsomadethetoneofthepicturegloomyandunfocused,reflectinganatmosphereofillusoryreminiscence.