对于绘画来说，重要的不是意义，而是感性的直接性。毕竟，意义是思维的捷径，不是生命感性的本原，不是艺术作品自身。基于某种价值体系，意义便是目的。那么，在成为意义之前呢？那种灵魂的吟唱，那种情绪的逼仄，那种不羁的放任……这一切正是生命的整体，土性般地包容着，却又酝酿着各种可能意义的生长。这是我们面对邱军画作的一种自然态度。
这种物理性般碰触着我们身体和心魂的画作，正处在“成为意义之前”，悄然唤醒着我们的“看”、“听”和“感觉”。 （刘洁）
The most important part for art is not the meaning of it but the directness of sensibility. After all, meaning is the short cut of thoughts, not the origin of life’s sensibility, not artwork itself. Basis on some value system, meaning is the purpose. In that way, what before the meaning being established? The chant of souls, the restrained mood, the indulgence of uninhibited……All this is the whole constitute of life, earthly contained, but collecting all the possibilities of potential growth. This is the natural attitude when we face the paintings of Qiu Jun.
These paintings that physically collide our souls and body, is in the period of “before meaning established”, Quietly arouse our “Seeing ”, “Hearing ”and “Perception”. (By Liujie)