高速路是一个与传统相反的指向,它是当代都市发展的标志。都市化进程引发社会的变化,旧有空间被重新分割,历史发展的生态环境被改变,大片的农田、房屋被推掉,高架桥四通八达,飞速发展的都市化进程是历史的必然,还是社会进程中的一次偶然……
出身水墨的左正尧巧妙地将水墨方式转化为布面表达,他笔下的女性更多的是一种符号,同时出现在一系列的作品中,躺在同样符号化的关于自然的一系列概念上,从中传达出一种微妙的、不同于传统意义的现代感受。
杨小彦《跨过高墙与矮篱笆》,奥地利当代艺术展作品集2008年12月。
Speedway is pointing contradicted to tradition, and also a sign of metropolitan development. The process of urbanization leads to the change of society. Old space had been divided anew; the environment of historical development had been changed; a lot of farmlands and houses had been pushed over and replaced by trestles extended in all directions. Whether the rapidly growing urbanization process is the inevitability of history, or an incident during the social course…
Started from wash painting, Zuo Zhengyao skillfully turned it into canvas expression. Females under his pen are more likely a kind of symbol. They appeared in a series of works at the same time, lying on the same symbolized concepts about nature, yet conveyed a modern feeling which is subtle and different from traditional meaning.
Yang Xiaoyan Stride Over the High Walls and Short Fencings, Austrian Modern Art Exhibition Work Collection, December, 2008
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《青山雨后》
郭二林作品 / 45×68cm / 软片未裱