在浙西两天的雨调调里,心是~景,一路思~
灰, 丝密 ,烟罩 ,不见天地分。
试想,若把周春芽油画《早春》放在这雨天的灰境中欣赏,要蒙上一层纱看起来才够味!
人在车上，心已游离~~
田中一棵小树,远远立在那和无边的农田在一起
看上去它并不惆怅,原来我的担心是多余~。
一些民居还延续古时传统用大白刷墙面,黑黑瓦片构房顶的方法,像这种颜色搭配,现在看来很科学,因为在极灰的雨境中,这些房子依然是亮点。
树在水里,鱼在天上,车窗玻璃上的我越来越清晰~~~~
回家的灯亮了……
During the several drizzling days in Zhejiang, my heart is the scene and is pondering deeply all the way.
Ash, silk dense, smoke hoods, disappear heaven and earth points.
Imagine that if appreciate Zhou Chunya’s oil-painting "Spring" in this gray rainy day, it is full of charms with veil.
I am in the car, but the heart is flying.
A small tree in the field, stand far away and together with immense farmland
It seems not be disconsolate. My fear is unnecessary.
Some dwelling houses continue the ancient traditional to brush the wall with brush. The methods of black tile constitutive roof, such as the colour collocation, seem very science, because in a very grey rain, the house is still bright spot.
The trees are in the water, fishes are in the heaven, and my shadow emerges on window glass. And it becomes more and more clearly
The light heading to home is lighting.