杨珺心性敦厚，为人憨实。他的画讲究造型与笔墨的意味，看他的画如同与他一起去感受对象，有鲜活的状态。杨把造型、笔墨作为一种文化空间来感受或体验。他的许多习作都带着纯朴的意义，他追寻朴素的形象，在造型上追求平实，笔墨中感受精微，他画出了许多富有平常心意味的画面，以纯朴的心性对传统文化的真诚体验，支撑并形成了清澈的笔墨语言。杨的笔墨里体现了一种文化的素养，他的造型扎实而富有情趣。他的绘画状态一直都稳定而常有提升，杨善于探索、善于思考，尤其对笔墨意味具有总体意象把握能力。在他的习作和创作里，用笔墨的感受方式吸收了汉代画像石的语境，同时呈现出传统山水画的笔意。他画的一批具有史诗般的主题创作，画面上造型探索与轻松自信的笔墨感悟方式使他对水墨人物的语境探索更加深入，这批创作展现了他成熟的创作风格和笔墨语言的创作能力。
——田黎明
Yang Jun is honest and sincere. He has a good nature. His paintings pay attention to the implication of the styling and “brush and ink”. Looking at his painting is just like enjoying the vivid state of the object with him. Yang Jun regards styling and “brush and ink” as a culture space to feel or experience. Many of his works have the simple meaning and he pursues simple image and plain style. We can feel subtle things in his paintings. He draws many pictures which carry an ordinary state of mind and sincerely experience the traditional culture with his natural character which supports and forms his clear “brush and ink” language. The unique language shows a culture attainment and the styling is solid and full of sentiment. His painting state is always stable and upgraded. Yang Jun is good at exploring and thinking and he has the ability to grasp the entire image especially to the “brush and ink” implication. In his works and creations, he absorbs the context of the stone relief of Han dynasty with the feeling method of “brush and ink” and shows the calligraphic style of the traditional landscape painting. He drew a batch of paintings which have an epic theme. Exploration to the styling and the relaxed and self-confident “brush and ink” feeling method in the pictures make his context exploration to the Ink Figure Painting deeper. These creations show his mature creating style and creativity of “brush and ink” language.——Tian Liming